Adam & Eve – The Pear

Michelangelo’s vignette The Fall of Man expresses the centuries old interpretation of woman’s involvement with Original Sin.   He continues this narrative through the depiction of the male snake of Genesis painted in the female form.

Adam & Eve Sistine ChapelThroughout history there has been the tendency to excuse man’s lack of self control on woman’s influences…  With countless biblical references including  Adam throwing Eve under the bus, blaming “She gave me the fruit”.

This similar to King David being tempted by Bathsheba as he spied on her while she bathed.  This ultimately led to David ordering the murder of her husband, the ultimate consequence of Original Sin.

It’s a shame how much of the renaissance art promotes these dark misogynistic themes.

I prefer to see Adam & Eve in the supportive role as partners.   Both equally aware and equally responsible.  A pairing of minds and bodies.

The Pair Adam Eve Maquette Randall a

Randall Bezeau … “The Pear”

The Pear captures the moment before the first bite, as Adam is lowering Eve down from the tree. Their eyes meet and for the first time they begin to understand the significance of their pairing.

As the season is still cold and snowy… this is the perfect time to create a maquette for what may be my next marble statue.  Michelangelo would also use the off season to draw or model new ideas, when the heat of the summer would be too great for stone work.

Modeling clay gives you time and flexibility to adjust your work while expressing ideas through your hands… In a very real sense, you’re bringing life to an idea locked in your mind. Reminds me of the poem:

The finest artist cant conceive a thought
that the marble itself does not bind.
within its shell, waiting to be brought
out by the hand that serves the artist mind.

                                                 Michelangelo

The maquette, after much tweaking is now ready to be cast.  Remember 90% finished is good enough…  Finishing touches and realism will be added in the final clay stage.  As figures are standing, this will be the most challenging plaster mold I have attempted.  One single poured piece that will need to stand on three legs while drying.  More on the planning a preparation of this next time….

Michelangelo use of Models for Marble

It’s tempting to just release your artistic forces and throw caution to the wind; certainly it’s quicker… but then there is good reason to regularly revisit your original maquette design.

Michelangelo certainly invested much time into his smaller scale models, and from these he could ensure the grace and majesty he imagined would continue to transfer to his marble…

Michelangelo models maquette wax and clay

The model is key to ensuring your chisel stays on course.  Angles and expressions, curves and subtleties are often realized in the clay maquette, but lost in translation to stone.   You have devoted so much thought to your message….  The strength of sorrow,  the passion found in purpose, the embrace of life and death,  all represented within the pyramidal yin-yang.   This ideal is now trapped in the stone and is relying on you to release it from its bonds.

Michelangelo believed the artist ultimate purpose was to reveal the ideal human form that was trapped within the marble…  the stone did not inspire the vision, but was chosen because it conformed to his vision.  This is a significant difference from the renaissance style of sculpting to both modern and traditional art techniques. Continue reading

Winter, when Marble is as hard as Iron

Its winter, and with the snow on the ground and sub zero temperatures, marble becomes unworkable. My Marble Pieta will have to patiently wait until the spring thaw. In the off season, I turn to new projects or continue to develop older ones. Winter is the perfect time to work on maquette designs that will later be carved into stone.

Whenever I start a new piece, I’m always a little embarrassed on the difficulty I have applying the image of my imagination into anything remotely recognizable to anyone but me. If I close my eyes I can see it… but then, with pencil to paper, brush to canvas or hands to clay there is such a struggle. It takes a real leap of faith to push through this awkward phase. And this is why I always start my projects in complete isolation…. No witness to my failure. I honestly believe that any person out there can create art, if they could only get passed this initial hurtle. Art is created by the sheer will of personality.

Of course some are more talented then others… And Michelangelo was a true master… a Universal Artist.

A Master Painter, Master Sculptor, and Master Architect.

Michelangelo Universal Artist

But as I pointed out in my post “The Importance of the Maquette” Michelangelo destroyed all that fell short of perfection.  And we are only left with his best works; the legacy of the impossible standard. Continue reading

Pieta Amare

Michelangelo’s Pieta, now displayed within St Peter’s, was the first of several carved over his lifetime.  This theme of Mother Mary grieving over the crucified Christ had special significance for the artist and continues to resonate a powerful message for us today. The literal translation of the Italian ‘pieta’ is pity; and is the cornerstone of faith as found in Jesus teaching at the ‘Sermon on the Mount’ .  Divine Pity as expressed in both Mary and Jesus; one for the other, and the other for all, is the primary theme found within the Beatitudes and the key Virtues.

Within the Pieta, the combined nature of Faith Hope and Love are examined.  And these relationships can be best expressed through multiple statues.  And so, it is with this in mind that I have started my second Pieta statue, Amare.  Over the Fall and Winter months I will build on my new maquette design

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